Biographical Information/Artist Statement

JOHN HITCHCOCK Studio: 608-262-0349 jhitchcock@education.wisc.edu

EDUCATION___________________________________________________________________

1997 Texas Tech University Lubbock, Texas M.F.A. Emphasis: Printmaking/Photography/Painting

1990 Cameron University Lawton, Oklahoma B.F.A. Emphasis: Printmaking/Drawing

1999 Frogmans Print and Paper Workshop, University of South Dakota Vermillion Safe Etch non-toxic intaglio workshop, Inst: Elizabeth Dove

1997 American Photography Institute, National Graduate Seminar Tisch School of Art, New York University, New York. Fellowship.

PROFESSIONAL AND CREATIVE ACTIVITY___________________________________________

Solo Exhibitions

2005 Invisible Invaders University of New Mexico-Gallup, New Mexico.

2005 Fright Sleep Taste Offering Shift Slow Down Clown Western Michigan University, Gallery II, Sangren Hall, Kalamazoo, Michigan.

2004 Exit Strategies: current works on paper and interactive art. Macalester College Art Gallery, St Paul, Minnesota.

2004 Terminal The University of Arizona, School of Art Tucson, Arizona.

2004 E-Motion An Interactive multimedia Installation by John Hitchcock. AICH Gallery, New York, New York.

2004 Sleeper at Work University of Wisconsin, Oshkosh. Oshkosh, Wisconsin.

2004 When We Reach 87 Billion STOP! Interactive Print Action. University of North Texas, Denton, Texas.

2004 Frenzy Feeds Addiction Brookhaven College, Dallas Texas.

2003 Boilermaker Performance/Give-Away. Georgia College & State University, Department of Art, Milledgeville, Georgia.

2003 Buyers Remorse: works on paper Citi Arts Space, Madison, Wisconsin.

2003 Recent works by John Hitchcock Bemidji State University, Minnesota.

2003 Conspicuous Consumption Xavier University, Department of Art Cohen Center Art Gallery, Cincinnati, Ohio.

2003 What Would John Wayne Do? Wisconsin Academy Gallery, Madison, Wisconsin.

2003 Sleeper at Work The Southwest School of Art and Craft, San Antonio, Texas.

2002 Fragments North Dakota Museum of Art, Grand Forks, North Dakota.

2002 Fragments Laredo Community College, Laredo, Texas.

2001 Progress Kiehle Gallery, St. Cloud State University, St. Cloud, Minnesota.

2000 Ritual Device: Curios From the New Frontier Living Arts of Tulsa, Tulsa, Oklahoma.

1999 Ritual Device: Curios From the New Frontier University of Northern Iowa Gallery of Art, Cedar Falls, Iowa.

1999 Ritual Device Intermedia Arts Artist in Space Installation, Jerome Foundation, Minneapolis, Minnesota.

1999 Removed Barringers, Fergus Falls, Minnesota.

1998 What is a Family Western Texas College, Snyder, Texas.

1997 Transmission Texas Tech University Center, Lubbock, Texas.

1997 Hybrid MFA Thesis Exhibition. FOVA Galleries, Texas Tech University, Lubbock, Texas.

1996 Polychronicle University of Oklahoma, Norman, Oklahoma.

1995 Polychronicle Gary Stewart Gallery, Lubbock, Texas.

1994 Memorial Installation with natural materials in Llano River, Junction, Texas.

TWO PERSON EXHIBITIONS (INTERNATIONAL)

2006 Diagnosis of a knot, A lump, an Itch and Scratch a collaborative Installation between Jennifer Angus and John Hitchcock. London Print Studio, London, England, UK.

Two, Three, and Four Person Exhibitions (National)

2005 On and Off the Wall: Installations by John Hitchcock, Adam Davis, Cathleen Lewis and Jennifer Angus University o f Wisconsin-Stevens Point, Stevens Point, Wisconsin.

2005 Social Consciousness John Hitchcock, Tim Dooley, Kristin Nowlin, Dusty Herbig. Mt. Mercy College Art Department Cedar Rapids, Iowa.

2004 Overlays: Collaborations by Derrick Buisch and John Hitchcock Commonwealth Gallery, Madison, Wisconsin.

2004 Art & Politics: Prints and Cartoons by Mike Konopacki and John Hitchcock Jackie Macaulay Gallery, Social Justice Center, Madison, Wisconsin.

2003 Print Blitz! Organized by Michael Barnes. University of Northern Illinois, Dekalb, Illinois.

2002 Printmaking Invitational Curator: Cathryn Mallory. Gallery of Visual Arts, University of Montana, Missoula, Montana.

2001 Shifting Landscapes: Consideration of Time, Place, and Culture Hosted jointly by the Southwest Collection, the School of Art at Texas Tech University, and The Society for Photographic Education. Artists: John Hitchcock, Tessa Morin, Cindy Sims, Beckwith Thompson. TTU Studio Gallery, Lubbock, Texas.

2000 Over and Over and Over and Over and..... John Hitchcock and Jessica Larson University of Minnesota, Morris, Minnesota.

2000 Current Works By: John Hitchcock and Tim Saupitty Pride Gallery, Lawton, Oklahoma.

1999 Diverse Views: Current works by Gary Brown, Eddy Grigsby, and John Hitchcock Cameron University, Lawton, Oklahoma.

1997 A Stranger In Paradise Two artists installation by Doug Oland and John Hitchcock. One Zero One Gallery, Architecture Department, Texas Tech University, Lubbock, Texas.

1996 Pictogram & Polygraph Two artists collaborative by Gary Brown and John Hitchcock. Garden and Arts Center, Lubbock, Texas.

National and International Curated Group Exhibitions

2005 American Prints in Troubled Times/Open Expression: Contemporary American Printmaking Art Curated by Karen Kunc. The American University in Cairo, Cairo, Egypt. Haydon Art Center, Lincoln, Nebraska (March 2 - April 2, 2006)

2005 Changing Hands: Art Without Reservation, Part 2, Curated by Ellen Taubman and David Revere McFadden. Museum of Arts & Design, New York, New York.

2005 Cultural Transport/Moving Targets a print exhibition of invited international artists presented on the train from Berlin, Germany to Poznan, Poland as part of the IMPACT IMPACT 4 Ð KONTAKT International Print Conference. Organized by John Hitchcock and Keith Christensen. The project addresses issues of public transportation, crossing borders, and national identity.

2005 We're Not From Here Emigres, Aliens and Utopians Project curated by Ruthann Godollei. Exhibition at the UniversitŠt der KŸnste Berlin Gallery, Berlin, Germany.

2005 PAPER POLITICS An Exhibition of Politically & Socially Engaged Printmaking Curated by Josh MacPhee, Seattle Prints. Phinney Center Gallery, Seattle, Washington.

2005 Re-Interpreting the Middle East Curated by May Hariri Aboutaam and Melanie Yazzie (University of Arizona) for the 33rd Annual Southern Graphics Council Conference, Power in Print in Washington DC. Exhibition at: The Corcoran College of Art & Design, Washington, DC. Orfali Gallery, Amman, Jordan. Henry Ford Community College, Mackenzie Fine Arts Center, Dearborn, Michigan. International Center of Bethlehem, Palestine (2006)

2005 Equilibrium/ Equilibrio a Spain and US portfolio exchange. Curated by Hui-Chu Ying (University of Akron) for the 33rd Annual Southern Graphics Council Conference, Power in Print in DC. Exhibition at The Corcoran College of Art & Design, Washington, DC.

2005 Cultural Collision! Organized by Noelle Jakeman. Nathan Homestead Community Arts Centre, Manurewa, New Zealand.

2005 Wild West Side Show Organized by Melanie Yazzie for the Cultural Collision! Manurewa, New Zealand.

2005 Te Mata Gathering of Contemporary Indigenous Visual Artists Toimairangi School of Maori Visual Culture Te Wananga o Aotearoa, Hastings Hawkes Bay.

2004 Colorprint USA International Symposium and exhibition Curator: Lynwood Kreneck, Texas Tech University School of Art, Lubbock, Texas.

2004 Contemporary American Serigraphy Invitational Curator: Timothy High. Elder Gallery, Nebraska Wesleyan University, Lincoln, Nebraska. VAM Gallery - FEFC, Austin, Texas. Midwestern State University, Wichita Falls, Texas.

2004 Outside the Frame: Installation Works for the Relevance/Resonance Mid American Print Council Conference. Curator: Karen Kunc.University of Nebraska-Lincoln, Nebraska.

2004 International Darmstadt Waldkunstpfad (Forest-Art-Path)- Expeditions and Symposium Curator: Ute Ritschel. Darmstadt, Germany. Public sign project in the Forest: Strength Renewal: Frozen Ground Fear.

2004 FOTO FUTURE: The New Terrain of the Photographic Art Curator: Ginger Owen. Art Center of Battle Creek Battle Creek, Michigan.

2004 The Writes of Passage Curator: Pemela Ayres. Bradley University Heuser Art Center, Peoria, Illinois.

2004 Against Tradition: Trends in Contemporary Printmaking Curator: Kaz McCue. University Art Gallery, Indiana State University, Terre Haute, Indiana.

2004 Print Language as Content Curated by Robert Glasgow, Professor, School of Art and Art History, University of Iowa, Iowa City, Iowa. Exhibition at the 32nd Southern Graphics Council Conference, Diversity, Discourse, Dimension, the Mason Gross School of Art, Rutgers University, New Brunswick, New Jersey.

2004 Changing Minds/Reading Minds: Printing on Alternative Surfaces and Pushing Boundaries for the 32nd Annual Southern Graphics Council Conference, Diversity, Discourse, Dimension at Mason Gross School of Art, Rutgers University. Curated by Melanie Yazzie, University of Arizona; Joe Fedderson, Evergreen University; Margaret Craig, Southwest School of Art and Craft; Phyllis McGibbon, Wellesley College; and John Hitchcock. Southwest School of Art & Craft, San Antonio, Texas (2004) Wellesley College, Jewett Art Center, Wellesley, Massachusetts. (2004)

2004 Wild West Show for the 32nd Annual Southern Graphics Council Conference, Diversity, Discourse, Dimension at Mason Gross School of Art, Rutgers University. Curated by John S. Hancock, Professor, Mary Hardin Baylor University, Texas. W. H. Over Museum, University of South Dakota, Vermillion, South Dakota (2004) Mary Hardin Baylor University, Waco, Texas (2004) University of Wisconsin-Madison, Wisconsin (2004)

2004 BLUEPRINT a print exchange exhibition organized for the 32nd Annual Southern Graphics Council Conference, Diversity, Discourse, Dimension at Mason Gross School of Art, Rutgers University. Co-Curated by: Janet Marcavage and Tom Hughes. The G. Gibson Gallery, Seattle, Washington (concurrent with the CAA Conference 04) University of Wisconsin 724 Gallery, Wisconsin (2004)

2004 Mid-American Print Council National Members Exhibition Curators: Kristin Powers Nowlin and Joe A. Thomas. University Gallery of Clarion University of Pennsylvania.

2003 Modern Iconography: Symbols Public & Private Curator: Jennifer Reis. Claypool-Young Art Gallery, Morehead State University, Morehead, Kentucky.

2003 TransitARTen - Vogelfrei 5 Kunstentdeckungen in Privatgarten Curators: Ute Ritschel Horst BŸrkle, Stephanie Junge, Petia Knebel. Darmstadt, Germany.

2002 Girls with Guns Artist Exchange Portfolio for the 31st Annual Southern Graphics Council Conference. Curator: Jenny Schmid. Massachusetts College of Art, Boston, Massachusetts.

2002 Dog Head Stew Artist Exchange Portfolio for the 31st Annual Southern Graphics Council Conference. Curator: Elizabeth Hanemann. Massachusetts College of Art, Boston.

2002 The Photography Institute Curators: Cheryl Younger and Sarah Farad. Nathan Cummings Foundation, New York, New York.

2002 Color Print U.S.A. Curator: Lynwood Kreneck. Texas Tech University, Buddy Holly Center, Lubbock, Texas.

2002 Common Culture An Artist Exchange Portfolio for the 30th Annual Southern Graphics Council Conference. Curators: Kristen Powers Knowlin and Tracy Molly. New Orleans, Louisiana. The Spruill Art Center, Atlanta, Georgia.

2001 Unidentified Curator: Colleen Mullins. College of Visual Arts, St Paul, Minnesota; Orbit Gallery, St Paul, Minnesota. 2000 Minnesota Printmakers Exhibition Curator: Barbara Madsen. Mid America Print Council Conference, Art in the Community, St Cloud State University, St Cloud, Minnesota.

2000-01 North Dakota Museum of Art Autumn Art Auction Curator: Laurel Reuter. Grand Forks, North Dakota.

2000-01 HomeoStatic: An Exchange Portfolio of Contemporary Artists Digital Printmaking. Curator: Bradly Shanks. Pablo de la Torriente Brau Cultural Centre, V International Conference: Culture and New Technologies, Majadahonda Room, Havana, Cuba. March 4, 2002. 1 Day showing Washington State University, Pullman, Washington. 2001 University of South Florida, Tampa, Florida. 2001 University of Minnesota, Morris. 2001 Boston University, Boston, Massachusetts. LeVall Gallery, Novosibi, Russia. University of Louisiana, Lafayette, Louisiana. Iowa State University, Ames, Iowa. University of Wisconsin, LaCrosse, Wisconsin. Southern Graphics Council Conference in Miami, Florida.

1999 Dont Go to the Mall Curator: Julie Rico. Julie Rico Gallery Inc., Santa Monica, California.

1998 Days of Invention: Emerging Artists of the South Plains Curator: Edgar Heap Of Birds. Artists: Tom Poolaw, Wendy Mahsetky-Poolaw, Steve Deo, John Hitchcock. Kansas State University, Manhattan, Kansas. Lubbock Fine Arts Center, Lubbock, Texas. American Indian Community House Gallery, New York, New York. 1997 Institute of American Indian Arts Museum, Santa Fe, New Mexico.

1998 Sofa Not Included Curator: Steven Cochran. Artists: Joseph Seemen, Barry Phillips the Younger, Robyn O'Neil, John Hitchcock, Chad Farris. Gallery Untitled, Dallas, Texas.

1997 The Ulster-Texas Print Exchange Curator: Lynwood Kreneck. Seacourt Print Workshop, Bangor, Co. Down, Northern Ireland.

(Selected) Juried Exhibitions

2002-03 Brittingham Art Invitational Jurors: Christie Charbonneau Wells and Laurie Dies. Brittingham House, University of Wisconsin System, Madison, Wisconsin.

2002-03 Global Matrix International Print Exhibition Jurors: Kathryn Reeves and Craig Martin. Stewart Center Gallery, Purdue University, West Lafayette, Indiana. Wright State University Art Galleries, Dayton, Ohio.

2003 2002 Iowa Mini Print International Juror: Joel Peck. Hardly-Peppercorn Gallery, University of Iowa Museum of Art, Iowa City, Iowa.

2002 Click Midwest Print Invitational Digital Focus Jurors: Christine Style and Stephen Perkins. Lawton Gallery, University of Wisconsin-Green Bay, Wisconsin. Guenzel Gallery at the Peninsula Art School Fish Creek, Wisconsin.

2002 IV International Biennial of Photography XLI Gaud’ Medal, Premis Ciutat de Reus de Fotografia 2001, Reus Catalonia, Spain.

2001 Plains Art Museum Banner Project Raw Space Gallery, Plains Art Museum, Fargo, North Dakota.

2000-01 Oklahoma Centerfold Juror: Richard Ash III and Elizabeth A. Yarosz. Leslie Powell Foundation, Lawton, Oklahoma. University of Science and Arts Oklahoma, Chickasha, Oklahoma.

2000 Florida Printmakers 11th National Print Exhibition Juror: Carmon Colangelo. New World School of the Arts, Miami, Florida; Dunedin Fine Arts Center, Dunedin, Florida. 2000 Sonic Circuits VII, "International Festival of Electronic Music and Art" American Composers Forum. (Video: Distortion/Comanche Story) Leeds International Film Festival, UK Institute of Contemporary Art, Boston, Massachusetts Mississippi State University-Starkville, Mississippi University of Akron, Akron, Ohio Mount Union College, Ohio Georgia State University Atlanta, Georgia. Los Angeles Harbor College, Wilmington, California. Future Perfect 8. Landmark Center, St. Paul, Minnesota. 1999 Clark University, Worcester, Maine. 1999 Stetson University, Florida.

1999 1998 Prints and Printmakers Facet, Fine Arts Center in Taos, Taos, New Mexico.

1998 Vignette Visual Studies Workshop, Rochester, New York.

1997 5th Annual First Nations Film and Video Festival of Chicago Coordinator, Beverly Moeser. Truman College, Chicago, Illinois.

1997 American Photography Institute Juror: Jolene Rickard, Linda Levinson. New York University, New York, New York.

(Selected) Invitational and Group Exhibitions

2004 CULTURAL LANDSCAPES: an artist print exchange between Northern Ireland and North America. Curated by: David DuBose, Seacourt Print Workshop, Co. Down, Northern Ireland and John Hitchcock. First exhibited at the Relevance/Resonance Mid American Print Council Conference. University of Nebraska-Lincoln, Nebraska.

2003 Cross-Cultural Identities: An Artist Print Exchange Between South Africa and North America for the 3rd IMPACT International Printmaking Conference Michaelis School of Fine Art, University of Cape Town, South Africa. Curators: Dominic Thorburn, Head of Graphic Art, Rhodes University, School of Fine Art, Grahamstown, South Africa and John Hitchcock. South African Museum, Cape Town, South Africa.

2003 Multiple Perspectives: Critical Dialogue in North America for the 31st Annual Southern Graphics Council Conference. Boston, Massachusetts. Curator: John Hitchcock. Massachusetts College of Art, Boston, Massachusetts. Jewett Arts Center at Wellesley College, Wellesley, Massachusetts.

2003 Three Aces Organized by kimberly Arp, Michael Connors, and Tim High. University of Texas, Austin, Texas. Louisiana State University, Baton Rouge, Louisiana. University of Wisconsin-Madison.

2003 4th Kyoto International Woodprint Association Exhibition Kyoto City Museum Annex, Kyoto, Japan.

2002 Many Voices in conjunction with the Many Wisdoms educational conference. Kingsfoot Gallery, Madison, Wisconsin.

2002 Convergence: Printmaking Exchange between the University of Kansas and the University of Wisconsin-Madison. Print Jumble, University of Kansas, Lawrence Swap: An exhibition of Exchange Portfolios, University of Wisconsin-Madison Mid-American Print Council Conference, Laramie, Wyoming.

2002 Love and Lust The Print Center, Philadelphia, Pennsylvania.

2002 Frogmans Print and Paper Workshop Faculty Exhibition College of Fine Art Main Gallery, University of South Dakota, Vermillion, South Dakota.

2002 Impromptu An Exchange Portfolio Between the University of Wisconsin-Madison and Arizona State University for the 30th Annual Southern Graphics Council Conference. New Orleans, Louisiana. Organized by: Amanda Yopp and Kate Clapper.

2002 Members Show Center for Exploratory and Perceptual Art (CEPA) Buffalo, New York.

2002 Reactions Exit Art, New York City, New York.

2001 The North Park Printmakers Madison, Wisconsin printmaking organization traveling exhibition. Organized by Dusty Herbig. Hays Arts Council, Hays, Kansas. University of Illinois-Carbondale, Surplus gallery, Carbondale, Illinois.

2001 In Remembrance Anton Gallery, Washington, DC.

2001 Here & Now The D.U.M.B.O. General Store, Brooklyn, New York. Silicon Gallery Fine Art prints. www.digitaldumbo.com.

2001 Celebracion, The Day of The Dead The Buddy Holly Center, Lubbock, Texas.

2001 100 Universes: An International Accordion Book of Prints Contemporary Crafts Gallery, Portland, Oregon in conjunction with the Crossing Boundaries East-West Symposium in Print Art.

2001 Beatnik Bash The Print Center, Philadelphia, Pennsylvania.

2001 Frogmans In the New Millennium: 20th Anniversary Portfolio University of South Dakota, Vermillion, South Dakota.

2001 American Photography Institute Fellows ArtLink Inc. on www.Sothebys.com Art Club Tribeca, New York, New York.

2001 Transitions Printmaking Exchange Portfolio. Minneapolis College of Art and Design, Minneapolis, Minnesota.

2000 Hannahers, Inc. Print Studio Print Sale Plains Art Museum, Fargo, North Dakota.

2000 El Dia de Los Muertos The Print Center, Philadelphia, Pennsylvania.

2000 All Systems Go University of Minnesota Art Faculty Exhibition, Tweed Museum of Art, University of Minnesota Duluth, Duluth, Minnesota.

2000 American Photography Institute New York University, Tish School of Art, New York.

2000 Gostmachine Southern Graphics Council Printmaking Conference, Miami, Florida.

2000 What Is The American Icon? Online and Gallery Exhibition. Artwell, Inc. Torrington, Connecticut.

2000 Crosses of the Earth Museum of Contemporary Art, Santiago de Chile.

Public Art Projects

2001 Abundance Downtown Banner Project sponsored by the Plains Art Museum, Fargo, North Dakota.

2000 Technology v Nature Interior public Mural at the Project 12 Alternative School. Artist in Residence with Greg De Verges and sixteen students. Tulsa, Oklahoma.

1998 Reach for the Stars Interior public mural at the Optimist Boys and Girls Club. Lubbock, Texas. Summer.

1998 Choose Your Destiny Exterior public mural located at Greenfair Manor Housing Area. Lubbock, Texas. Collaborative mural with Juan Logan and youth from Greenfair Manor.

1998 Viva la Musica-Mira la Musica An art project revolving around Lubbock Symphonys Orchestra performance of Silvestre Revueltas La noche de los Mayas. Artist in Residence at Lubbock Independent school District. Exhibition at Civic Center Theater, Lubbock, Texas.

1997 International Cultural Project A collaborative portable installation with three youth displayed at 4th on Broadway Celebration and other city events, Lubbock, Texas.

Permanent Collections

Georgia College & State University, Milledgeville,Georgia. West Virginia University, Morgantown, West Virginia. Bemidji State University, Bemidji, Minnesota. Rhodes University, School of Fine Art, Grahamstown, South Africa. Northern Illinois University Printmaking Department, Dekalb, Illinois. Landmarks Arts galleries, Texas Tech University, Lubbock, Texas. Southwest Collection, Texas Tech Museum of Art, Lubbock, Texas. Cornell University, Ithaca NY. University of North Dakota, Grand Forks, North Dakota. Spencer Museum, Lawrence, Kansas.Library of Congress in Washington, D.C. University of North Dakota, Grand Forks, North Dakota. Southern Graphics Council Archives at the University of Mississippi. Arizona State University, Tempe, Arizona. University of Wisconsin-Madison, Wisconsin. Frogmans Print and Paper Gallery, Bearsford, South Dakota. The Plains Art Museum, Fargo, North Dakota. University of Texas at Austin, Austin, Texas. Minneapolis College of Art and Design, Minneapolis, Minnesota. North Dakota Museum of Art, Grand Forks, North Dakota. St Cloud State University, St Cloud, Minnesota. Sherman Alexie, artist, writer, producer. Mid America Print Council. Amity Art Foundation, Woodbridge, Connecticut. Sonic Circuits, Minneapolis, Minnesota University of Minnesota, Morris, Minnesota. University of South Florida, Miami, Florida. University of Northern Iowa, Cedar Falls Iowa. University of South Dakota, Vermillion, South Dakota. Institute of American Indian Arts, Santa Fe, New Mexico. Lubbock Fine Arts Center, Lubbock, Texas.

Electronic Publications

2003 Evolving Traditions An online curatorial project by Raquel Chapa, Abraham Lubelski,and Daniel Rothbart for NY Arts Magazine, New York City. http://nyartsmagazine.com/evolving/hitchcock.htm

2003 The Photography Institute Colombia University, New York City. Responses to War. http://www.thephotographyinstitute.org

2003 KQ Fine Arts Print Publisher, Minneapolis, Minnesota. http://www.kqfineart.com/featured/index%202.htm

2002 Brittingham Art Invitational University of Wisconsin Systems. http://www.uwsa.edu/presidnt/britting2/artists/hitchcock.htm

2002 Seacourt Print Workshop/ColorPrint USA http://www.seacourt-ni.org.uk/colorprintusa.htm

2002 North Dakota Museum of Art Grand Forks, North Dakota. http://www.ndmoa.com/template.cfm?page=crossgenerational

2001 Anton Gallery Washington, DC http://www.antongallery.com/exhibit91101/pages/hitchcock.htm

2001 Beatnik Bash The Print Center, Philadelphia, Pennsylvania. http://www.inliquid.com/features/printauct2/artworkf-l.html

2001 Here & Now The D.U.M.B.O. General Store, Silicon Gallery Fine Art prints, Brooklyn, New York. www.digitaldumbo.com

2001 New Space New Audience College Arts Association. http://acweb.colum.edu/caa

2001 2001 ArtLink@Sothebys http://www.artlinkinc.com/

2000 "What Is The American Icon? Artwell - Online Exhibition http://www.artwellgallery.org/forart5.html

2000 Ghost Machine print portfolio project. http://ghostmachine.asu.edu/gallery.html

1999 Sonic Circuits http://www.soniccircuits.com/

1998 Gallery Untitled Web Page, Dallas, Texas. http://www.untitled.net/sofa/sofa.html

Catalogs

2005 Colorprint USA International. Landmark Galleries of Texas Tech University School of Art (Spring 2005).

2005 International Darmstadt Forest-Art-Path- Expeditions and Symposium Darmstadt, Germany. (Spring 2005)

2004 Kathryn J. Reeves, HitchcockÕs Terms University of Arizona School of Art, and Joseph Gross Gallery John Hitchcock: Terminal exhibition. (Fall 2004)

2003 Vogelfrei 5 TRANSITARTEN. Darmstadt, Germany. (Fall 2003)

2003 Through Our Lenses: Personal and Political Views of 18 Photographers. Nathan Cummings Foundation, New York, New York (Spring 2003)

2002 Global Matrix: An International Print Exhibition. Purdue University Galleries (Fall 2002)

2002 Colorprint USA International. Landmark Galleries of Texas Tech University School of Art (Spring 2002)

2002 Iowa Miniprint International 2002. University of Iowa Museum of Art (Spring 2002)

2002 Brittingham Art Invitational. University of Wisconsin System (Fall 2002)

2002 Click: Midwest print Invitational: Digital Focus. Lawton Gallery, University of Wisconsin-Green Bay (Spring 2002)

2001 Autumn Art Auction. North Dakota Museum of Art (Fall 2001)

2000 Oklahoma: Centerfold. Leslie Powell Foundation (Fall 2000)

2000 Autumn Art Auction. North Dakota Museum of Art (Fall 2000)

2000 Florida Printmakers 11th National Competition, Southern Graphics Council Conference. University of Miami, New World Gallery (Spring 2000)

1999 Heart and Soul of the Great Plains. Leslie Powell Foundation and Gallery & Museum of the Great Plains (Fall 1999)

1999 Art In Spaces XII, Ritual Device. Intermedia Arts (Spring 1999)

1997 Oklahoma: Centerfold. Leslie Powell Foundation (Fall 1997)

1997 Days Of Invention: Emerging Artists of The South Plains. Institute of American Indian Arts Museum (Spring 1997)

1995 Oklahoma Centerfold. Leslie Powell Foundation (Fall 1995)

Book and Journal Publications

2006 Richard Noyce, Printmaking at the Edge. Book Published by A&C Black, England.

2004 John Hitchcock, Interview with Elizabeth Stuck. The Journal of the Mid American Print Council (Vol. 12 Number 1, Spring/Summer 2004): 8, 9, 10, 11.

2003 Carol Pulin, Interview: John Hitchcock. Contemporary Impressions (Spring 2003):18, 19, 20, 21, 22

2000 John Hitchcock, Portfolio (Art) North Dakota Quarterly (Summer/Fall 2000):101, 102, 103, 104, 105.

(Selected) Visiting Artist Presentations

2005 The University of Alabama Department of Art Visiting artist, critique of students art, and Artist talk. Tuscaloosa, Alabama.

2005 Western Michigan University Visiting artist, critique of students art, and Artist talk. Kalamazoo, Michigan.

2005 Te Kura Toi O Buck Nin Ð Buck Nin School of Arts Te Wananga O Aotearoa Arts talk at Cultural Collision! U.S. Ð N.Z. Manukau Campus, Mangere, South Auckland, New Zealand.

2005 Toimairangi School of Maori Visual Culture Te Wananga o Aotearoa Artist talk at Te Mata Gathering of Contemporary Indigenous Visual Artists Hastings, HawkeÕs Bay, New Zealand.

2004 Keene State College Visiting artist, critique of students art, and Artist talk. Keene, New Hampshire.

2004 Colorprint USA International Symposium Panel participant and critique of graduate students art. Texas Tech University School of Art, Lubbock, Texas.

2004 Macalester College Art Gallery Visiting Artist talk. St Paul, Minnesota.

2004 The University of Arizona School of Art Visiting Artist talk and artist residency. Tucson, Arizona.

2004 Mid America Print Council Conference, Relevance/Resonance Panel participant Out of the Frame: Innovative Installations. moderator: Hugh Merrill, Kansas City Art Institute, Lisa Bulawsky, BŽatrice Coron, Tim Dooley, Bob Erickson, John Hitchcock.

2004 International Darmstadt Waldkunstpfad (Forest-Art-Path) Artist talk in the forest. Darmstadt, Germany. 2004 Seacourt Print Workshop Visiting artist and lecture. Bangor, Co Down, Northern Ireland.

2004 National Museum of the American Indian , George Gustav Heye Center Visiting Artist talk. New York, New York.

2004 American Indian Community House Gallery/Museum Visiting Artist talk. New York, New York.

2004 Rutgers University, Masson Gross School of Art 32nd Southern Graphics Council Printmaking Conference. Panel participant: Making Marks in History Stealing Back Time. New Brunswick, New Jersey.

2004 University of Washington Visiting Artist slide lecture. Seattle, Washington.

2004 College Art Association National Conference panel discussion participant Seattle, Washington.

2004 University of Wisconsin, Oshkosh Artist talk at Reeve Union. Oshkosh, Wisconsin.

2004 University of North Texas Visiting Artist talk and Installation. Denton, Texas.

2004 Brookhaven College Visiting artist and Artist talk. Dallas Texas.

2003 Georgia College & State University Department of Art, Milledgeville, Georgia.

2003 West Virginia University, Morgantown visiting artist, critique of students art, and Artist slide lecture. Morgantown, West Virginia.

2003 Bemidji State University Visiting artist, critique of students art, and Artist talk. Bemidji, Minnesota.

2003 Xavier University, Department of Art Artist talk in Cohen Center Art Gallery, Cincinnati, Ohio.

2003 TransitARTen - Vogelfrei 5 Kunstentdeckungen in Privatgarten Artist talk in Garden. Darmstadt, Germany.

2003 University of Cape Town Artist talk about my current art work. Cape Town, South Africa

2003 CAP: Community Arts Project Visiting Artist slide lecture and meeting with learners/students. Cape Town, South Africa.

2003 University of Northern Illinois created a series of prints, critique graduate/undergraduate students art works, and public slide lecture about current art. Dekalb, Illinois.

2003 Boston University 31st Southern Graphics Council Printmaking Conference. Chair of panel: Cross-Cultura Identities: the Politics of Collaboration, Community, and History. Boston, Massachusetts.

2003 Wellesley College Artist slide lecture and individual critiques with undergraduate students. Wellesley, Massachusetts.

2003 College Art Association National Conference panel discussion participant and presentation of paper: Manufactured Culture, New York, New York.

2003 Elvehjem Museum of Art University of Wisconsin-Madison Art faculty Exhibition, artist lecture. Madison, Wisconsin.

2003 Southwest School of Art and Craft An artist lecture and workshop on large relief printmaking. San Antonio, Texas.

2002 University of South Dakota, Frogmans Print and Paper Workshop, Artist slide lecture and printmaking workshop,Vermillion, South Dakota.

2002 Carleton College Artist slide lecture and individual critiques with undergraduate students. Northfield, Minnesota.

2002 Color Print U.S.A. Symposium Texas Tech University, Artist slide lecture and individual critiques with graduate and undergraduate students. Lubbock, Texas.

2002 North Dakota Museum of Art Artist talk, Grand Forks, North Dakota.

2001 St. Cloud State University Kiehle Gallery, Artist talk. St. Cloud, Minnesota.

2001 Elvehjem Museum of Art University of Wisconsin-Madison Fall Colloquium, artist slide lecture. Madison, Wisconsin.

2001 University of Kansas, Lawrence School of Fine Arts, Artist slide lecture and individual critiques with graduate and undergraduate students. Lawrence, Kansas.

2001 University of Wisconsin-Madison Department of Art, Artist slide lecture and individual critiques with graduate and undergraduate students. Madison, Wisconsin.

2001 College of Visual Arts Artist talk. St Paul, Minnesota.

2000 State University of New York, Albany School of Fine Arts, Artist slide lecture and individual critiques with graduate and undergraduate students. Albany, New York.

2000 Mid America Print Council Conference, Art in the Community, St Cloud State University, St Cloud, Minnesota. Panel Discussion Participant: Public Art.

2000 American Photography Institute National Graduate Seminar, Tisch School of Art, New York University, New York, New York. Panel Discussion Participant.

2000 University of Tulsa Department of Art, Artist slide presentation, Tulsa, Oklahoma.

2000 Living Arts of Tulsa Artist talk, Tulsa, Oklahoma.

2000 University of Minnesota, Morris Faculty Seminar lecture series. Morris, Minnesota.

1999 University of Northern Iowa Department of Art, Artist talk, Cedar Falls, Iowa.

1999 Intermedia Arts Artist talk. Minneapolis, Minnesota.

1999 Cameron University Panel discussion and artist talk. Lawton, Oklahoma.

1998 Kansas State University Department of Art, Artist Talk. Manhattan, Kansas.

1998 University of Minnesota, Morris Artist slide Lecture. Morris, Minnesota.

1997 American Indian Community House Gallery Artist Talk. New York, New York.

1997 American Photography Institute, National Graduate Seminar A lecture about my work. New York, New York.

1997 Institute of American Indian Arts Individual critiques with students. Santa Fe, New Mexico.

1996 University of Oklahoma School of Art, A guest lecture about the exhibition Polychronicle. Norman, Oklahoma.

(Selected) Reproductions of My Art Work in Publications

2000 Progress. Tulsa World (April 2, 2000): H3

2000 Playing at Art, Can History be Constant? Spot, Tulsa World Weekend Entertainment Guide (March 31, 2000): 3

1999 Chronicle Alternative, University of Minnesota, Morris (Winter 1999)

1998 Sources, American Indian Community House. Indian Artist (Spring 1998): 21 (Photo of Installation)

Book and Journal Publications

2000 John Hitchcock, Portfolio (Art) North Dakota Quarterly (Summer/Fall 2000):101, 102, 103, 104, 105.

1997 John Hitchcock, Synopsis of Bill Gaskins Good Hair Bad Hair. Analysis of Claudine Brown. American Photography Institute National Graduate Seminar Journal ( Fall 1997):96, 251,252.

(Selected) Printmaking Exchange Portfolios and Publications

2004 Changing Minds Reading Minds: Print on Alternative Surfaces and Pushing Boundaries. For the 32nd Annual Southern Graphics Council Conference. Mason Gross School of Art, Rutgers University, New Brunswick, New Jersey. Organized by: Melanie Yazzie, University of Arizona; Joe Fedderson, Evergreen University; Margaret Craig, Southwest School of Art and Craft; Phyllis McGibbon, Wellesley College; and John Hitchcock.

2004 Print Language as Content School of Art and Art History, University of Iowa, Iowa City, Iowa. Curator: Robert Glasgow.

2003 Print titled: Net Weight, Produced an edition of 24 screenprints Published by West Virginia University for the Visiting Artist Print Collection. Assistant printers: Elizabeth Hanamann, Sergio Soave, Praire.

2003 Print titled: Boilermaker Published by Quiet Crow Press. Produced an edition of 30 lithographs/relief prints as a visiting artist at Bemidji State University, Minnesota. Master Printer: Johnnet Skinner Assistant printers:

2003 Cross-Cultural Identities: An Artist Print Exchange Between South Africa and North America for the 3rd IMPACT International Printmaking Conference Michaelis School of Fine Art, University of Cape Town, South Africa. Curators: Dominic Thorburn, Head of Graphic Art, Rhodes University, School of Fine Art, Grahamstown, South Africa and John Hitchcock.

2003 SIN: A Print Exchange Between Northern Illinois University, Texas Tech University and the University of Wisconsin-Madison. Organized portfolio. (Spring)

2003 Gods and Monsters: A Print Exchange Between the University of Tulsa and the University of Wisconsin -Madison. Organized portfolio. (Spring)

2003 Shock and Awe Xerography folio in response to the War in Iraq. Organized by: Tim Dooley.

2003 Impressions form the Llano Estacado: In honor of West Texas Printmaker Lynwood Kreneck. Texas Tech University, Lubbock, Texas. Organized portfolio. (Spring)

2003 Multiple Perspectives: Critical Dialogue in North America for the 31st Annual Southern Graphics Council Conference. Boston, Massachusetts. Curator: John Hitchcock.

2003 Girls With Guns for the 31st Annual Southern Graphics Council Conference. Boston, Massachusetts. Curator: Jenny Schmid.

2002 Dog Head Stew for the 31st Annual Southern Graphics Council Conference. Massachusetts College of Art, Boston, Massachusetts. Curator: Elizabeth Hanemann.

2002 FrogmanÕs Print and Paper Portfolio for the University of South Dakota, Vermillion, South Dakota. Curated by: Lloyd Menard

2002 Convergence An exchange between the University of Wisconsin-Madison and the University of Kansas.

2002 Strength Produced an edition of 35 lithograph/screenprints for the university of North Dakota Visiting Artist Print Collection. Master Printer: Kim Fink, Assistant printers: Richard Dawavendewa and Josh Tangen.

2001 Common Culture An Exchange Portfolio for the 30th Annual Southern Graphics Council Conference. New Orleans, Louisiana.

2001 Impromptu An Exchange Portfolio Between the University of Wisconsin-Madison and Arizona State University for the 30th Annual Southern Graphics Council Conference. New Orleans, Louisiana.

2001 Print Australia Exchange J: Digital Print An Exchange Portfolio organized by Print Australia. Coordinator: Patricia Prociv.

2001 Frogmans In the New Millennium: 20th Anniversary Portfolio University of South Dakota, Vermillion, South Dakota. Organized by: Karla Hackenmiller.

2001 Southern Graphics Council Annual Conference Exchange Portfolio University of Texas at Austin, Austin, Texas.

2000 Transitions An exchange portfolio between Minneapolis College of Art and Design and the University of Minnesota, Morris. Organized by: Jody Reeb-Myers and John Hitchcock.

2000 Mid America Print Council Conference Exchange Portfolio St Cloud State University, St Cloud, Minnesota. Organized by: Barbara Madsen.

1999 Interior/Exterior/Inside/Out Exchange portfolio, University of Minnesota, Morris.

1999 HomeoStatic An Exchange Portfolio of Contemporary Artists. Miami, Florida. Curated by: Brad Lee Shanks.(w/33 nationally known printmakers)

1999 FrogmanÕs Print and Paper Portfolio for the University of South Dakota, Vermillion, South Dakota. Curated by: Lloyd Menard (w/32 nationally known printmakers)

1997 John Hitchcock, Synopsis of Bill Gaskins Good Hair Bad Hair. Analysis of Claudine Brown. American Photography Institute National Graduate Seminar Journal (Fall 1997):96, 251,252.

(Selected) Reviews and articles written about my work

2002 Whitney Wyatt, Symposium Showcases Printmaking. The University Daily, Texas Tech University (April 19, 2002): 7

2002 Dorreen Yellow Bird, Native Visions. North Dakota Grand Forks Herald (Friday, April 12, 2002):4D, 5D

2002 Aaron Ban, Artist Mixes Indigenous Traditions, Popular Culture. Carletonian, Carleton College (April 26, 2002):A2

2001 Andrew David Dahmer, John Hitchcock, Native American History Through Art. The Madison Times (November 30, 2001):1, 10, 19

2001 Alicia Ohmann, Kiehle Shows Progress. University Chronicle (November 12, 2001)

2001 Alicia candiani, Homeostatic Print Portfolio. Papel Estampa (Paper and Prints) (April 2001)#10

2001 Unidentified. Saint Paul Pioneer Press January 14, 2001):8E

2000 Brad Shanks, Balancing Act: Man and technology in the Digital Age. Contemporary Impressions, The Journal of the American Print Alliance (Fall 2000):12, 13, 14

2000 Its a Hitchcock Mystery, Progress...as promised? Tulsa World (April 2, 2000): H3

2000 James D. Watts Jr, Games of Art: an installation. Spot, Tulsa World Weekend Entertainment Guide (March 31, 2000): 9

2000 7+1 A Preview of the Week, Techno Bombardment. Urban Tulsa (April 6, 2000):16, 17

2000 Kirsten Pupek, Two Views of Indian Art Set for Today. The Lawton Constitution (February 10, 2000)

1999 Robyn A. Richardson, Interactive Art Exhibition in UNIÕs Art Gallery. The Northern Iowan (October 12, 1999): 10,12

1998 Trying Her Hand at Art. Lubbock Avalanche Journal (August 7, 1998): 1A (Photo of student with mural )

1998 Dirk Fillpot, For Art's Sake, Artist pushes community projects. Lubbock Avalanche- Journal Vista ( May 26. 1998): 1B

1998 Exhibit to Showcase Native American Art. Lubbock Avalanche-Journal (February 22, 1998): 2C.

1998 Days of Invention: Emerging Artists From The South Plains. Lubbock Magazine (March 1998): 43.

1998 Days of Invention: Emerging Artists... Opens at Fine Arts Center. Caprock Sun (March 1998): 42.

1997 Glen R. Brown, Review of The Ulster-Texas Print Exchange. The Journal of Print World (Fall 1997): 44.

1997 Tom Collins, Review of 35th Anniversary Exhibition: Institute of American Indian Arts. Santa Fe Reporter (February 26, 1997): 31.

1996 Glen R. Brown, Review of Polychronicle (Solo Exhibition at The University of Oklahoma). New Art Examiner (April, 1996): 52.

Curator and Juror of Exhibitions

2003 Multiple Perspectives: Critical Dialogue in North America for the 31st Annual Southern Graphics Council Conference. Massachusetts College of Art, Boston, Massachusetts. Jewett Arts Center at Wellesley College, Wellesley, Massachusetts.

2002 Oklahoma Centerfold Leslie Powell Foundation, Lawton, Oklahoma. Juror.

2002 Cross Generational: Rosalie Flavell, John Hitchcock, Edgar Heap of Birds, and Patricia Marroquin. North Dakota Museum of Art, Grand Forks, North Dakota. Artist Curator.

2000 12 Annual United Tribes Indian Art Expo Bismarck, North Dakota. Juror of Exhibition. 1998 Chronicle Alternative University of Minnesota, Morris. Juror of student art works.

EMPLOYMENT__________________________________________________________________

2001-present University of Wisconsin-Madison Department of Art, Associate Professor of Art. Printmaking/Installation.

1998-2001 University of Minnesota, Morris Assistant Professor of Studio Arts. Printmaking/Foundations/Drawing. Discipline coordinator 2000-01

1997-1998 Texas Tech University Visiting Artist, Printmaking/Foundations.

1994-97 Texas Tech University Graduate Teaching, Printmaking/Foundations.

1997 Garden Arts Center Instructor, Lubbock, Texas. Printmaking/Painting/Drawing.

1994-98 Lubbock Fine Arts Center Instructor, Community Teaching Experience, Lubbock. Texas. Printmaking/Painting/Drawing.

1994 Texas Tech University Center at Junction Instructor, Printmaking/Drawing.